The Staple Singers

 
 
 
 

The Staple Singers Totally Rock

The Staple Singers Totally Rock

I was sitting in the bar known as “2A”, on the corner of 2nd and A, when “For What It’s Worth” came over the sound system. There wasn’t a jukebox and it was was busy, so I had to wait almost to the end of the song before I got ask the bartender who it was.
It is the toughest cover, in it’s way just as heavy as Shiina Ringo’s version of “Yer Blues”. Within days I possessed their cd Freedom Highway. It might be a gospel album, but it rocks like a motherf@*%er.

Nice outfits

Nice outfits

The Staple Singers were an American gospel, soul, and R&B singing group. Roebuck “Pops” Staples (1914-2000), the patriarch of the family, formed the group with his children Cleotha (born 1934), Pervis (born 1935), Yvonne (b. 1936), and Mavis (b. 1939). They are best known for their 1970s hits “I’ll Take You There”, “Respect Yourself”, and “Let’s Do It Again”.

The family began appearing in Chicago-area churches in 1948, and signed their first professional contract in 1952. During their early career they recorded in an acoustic gospel-folk style with various labels: United Records, Vee-Jay Records, Checker Records, Riverside Records, and then Epic Records in 1965. While the family surname is “Staples”, the group used the singular form for its name, resulting in the group’s name being “The Staple Singers”.

It was on Epic that the Staple Singers began moving into mainstream pop markets, with “Why (Am I Treated So Bad)” and “For What It’s Worth” (Stephen Stills) in 1967. In 1968, the Staple Singers signed to Stax Records and released two albums with Steve Cropper and Booker T & the MG’s — Soul Folk in Action and We’ll Get Over. By 1970, Al Bell had become producer, and with Engineer Terry Manning, the family began recording at the famed Muscle Shoals studio, and Memphis’ Ardent Studio, moving in a more funk and soul direction.

The first Stax hit was “Heavy Makes You Happy (Sha-Na-Boom Boom)”. Their 1971 recording of “Respect Yourself”, written by Luther Ingram and Mack Rice, peaked at number 2 on the R&B charts and was a number 12 pop hit as well. The song’s theme of self-empowerment had universal appeal, released in the period immediately following the intense American civil rights movement of the 1960s. In 1972, the group had a huge No. 1 hit in the United States with “I’ll Take You There”. It topped both pop and R&B charts. “If You’re Ready (Come Go With Me)” would become another big hit, reaching number 9 pop and number 1 on the R&B chart in 1973.

Then, after Stax’s bankruptcy in 1975, they signed to Curtis Mayfield’s label, Curtom Records, and released “Let’s Do It Again”, produced by Mayfield; the song became their second No. 1 pop hit in the US. In 1976, they collaborated with The Band on the song “The Weight” for their film The Last Waltz. However, they were not able to regain their momentum, releasing only occasional minor hits. Their 1984 album Turning Point featured their final Top 40 hit, a cover of Talking Heads’ “Slippery People” (which also reached the Top 5 on the Dance chart). In 1994, they again performed the song “The Weight” with Country music artist Marty Stuart for MCA Nashville’s Rhythm, Country and Blues compilation, somewhat re-establishing an audience. The song “Respect Yourself” was used by Spike Lee in the soundtrack to his movie Crooklyn, made in 1994.

In 1999, the group was inducted into the Rock and Roll Hall of Fame. Pops Staples died of complications from a concussion suffered in December 2000. In 2005, the group was awarded the Grammy Lifetime Achievement Award.

For What It’s Worth
Nobody’s Fault But Mine
Move Along Train
Be Careful Of The Stones You Throw

3 thoughts on “The Staple Singers

  1. Nice! I guess I’ve always loved The Staple Singers but I don’t own anything by them. I’m sure I’ve never turned the dial when they came on the radio. I’ve always liked soul music since I was 12 years old when I first heard “There’s A Riot Goin’ On”. My brother even had a copy of “America Eats It’s Young” for Chrissakes! But the Staple Singers? I wasn’t that hip.
    Back to The Map… About ten years ago I bought Pop Staples’ solo, “Peace To The Neighborhood”. Don’t ask me why. I guess I just wanted to do some catching up with something so very familiar and yet had escaped my earlier record buying days of Iggy, Roxy, The Dolls and the rest…..Pop Staples was the unsung hero of cool of swampy vibrato drenched guitar. He had a voice that knew more than your Mama. He also must have been the proudest motherfucker of all time being out there playin’ and singin’ his ass off with his beautiful and talented daughters. Good posting. I ain’t never heard none of this shit before.
    Excuse me while I go listen to it again….

  2. This was the first one I bought, and I have a newer one with “I’ll Take You There”. Both excellent. Mavis has got herself some voice. I’ve never seen it, but apparently Prince produces an album for her that’s supposed to be quite good.

  3. Their cover of “the Weight” on the Band’s Last Waltz is a highlight- to see the joy that they had singing together is very moving.

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