Until very recently I never warmed up to the Adrian Belew edition(s) of King Crimson. He wasn’t John Wetton, or Greg Lake, and some of his lyrics made me cringe. My favorite was the Wetton, Bruford, Cross, Muir incarnation. I never gave any of the more recent stuff a chance, and that was a mistake. I like “Indiscipline” as much as anything in their catalog. This version is from the last night of the 1984 tour, recorded in Montreal and can be found on “Absent Lovers”. I like everything about it, and then some. With Tony Levin-bass, and stick, and Bill Bruford-drums.
“Cat Food” and “Doctor Diamond” are by the aforementioned 1973-5 edition of King Crimson and can be found on “The Great Deceiver”.
“Catfood” comes originally from “In The Wake Of Poseidon” (1969) and besides “21st Century Schizoid Man”, the only song from that era performed by this lineup. I don’t think they played it very often, as it doesn’t turn up anywhere else.
“Doctor Diamond” never made it to “Larks’ Tongues”, “Starless” or “Red”. I don’t think Robert held it in high regard.
Now I recognize that all versions of King Crimson have merit and are worth checking out. Except avoid “Earthbound”
This article is about the musical group. For the character in novels by Stephen King, see Crimson King.
King Crimson is a progressive rock band founded by guitarist Robert Fripp and drummer Michael Giles in 1969. They have typically been categorised as a foundational progressive rock group, although they have incorporated diverse influences and instrumentation drawing from jazz, classical and experimental music to psychedelic, heavy metal, new wave, hard rock, gamelan, folk music, electronica and drum and bass. Originating in England, the band has had a mixture of English and American personnel since 1981.
King Crimson have garnered little radio or music video airplay but gained a large cult following. Their debut album, In the Court of the Crimson King, is widely regarded as a landmark in progressive rock, while the group’s later excursions into even more unconventional territory have been influential on many contemporary musical artists. King Crimson’s membership has fluctuated considerably throughout its existence, with eighteen musicians and two lyricists passing through the ranks as full band members. The band developed a greater degree of stability later on in its history, with current (and fifth) frontman Adrian Belew having been a member of King Crimson since 1981 and drummer Bill Bruford staying with the band for nine years of active existence (1973-75, 1981-84 and 1994-97)
Today, King Crimson’s early music is considered to owe a lot to the compositional frameworks of jazz innovators like Charles Mingus and John McLaughlin, fused with British pop and classical music. The early 1970s were King Crimson’s least stable period, with many personnel changes and disjunctions between studio and live sound as the band explored elements of jazz, funk and chamber classical music. In the mid-’70s the band had a more stable lineup and developed an improvisational sound influenced by hard rock, before breaking up in 1974. The band re-formed with a new line-up in 1981 for three years (this time influenced by New Wave and gamelan music) before breaking up again for around a decade. Following their 1994 reunion (with extra personnel), King Crimson blended aspects of their 1980s and 1970s sound with influences from more recent musical genres such as industrial rock and grunge (the latter itself a genre initially influenced by King Crimson). The band’s efforts to blend additional elements into their music have continued into the 21st century, with more recent developments including drum and bass-styled rhythm loops and extensive use of MIDI and guitar synthesis.