Prognosis

I was busy with another project (building a guitar) and didn’t have any ideas until last night when I went through the library and started pulling tunes. Even then, it doesn’t always work, and I admit I’ve spent days tinkering with the sequence. Not this time.

I grew up with Yes, Genesis, King Crimson, ELP, and the rest.
None of them are featured here.
This is music I’m less familiar with than usual.
Most of it is from years of trolling blog sites for things I’d only read about in the past.

For example, Mogul Thrash is the band John Wetton left to join Family, before leaving them for King Crimson. I never expected to find it, but thanks to the internet, I have FLAC files.

I hope you like mellotron.

I tended towards shorter songs when possible. My favorite Genesis song, for instance, “Supper’s Ready” is a whole album side and clocks in over 20 minutes. Add “Close To The Edge”, and “Lark’s Tongues In Aspic Pt 1”, and there’s an entirely epic cd length mix.

The Italians really “got” Prog and some of the best bands were from there. “Impressioni Di Settembre”, an old favorite, was somewhat blandly re-recorded by PFM in english as “The World Became The World”, the title track to their second american release, but I’ve always preferred the original Italian version.

Also here is Il Volo, another of the best, represented by “Il Canto Della Preistoria (Molecule)”, which also transcends it’s lack of english with some truly extraordinary guitar sounds.

Amon Düül II is from Germany, and technically krautrock.

Aphrodite’s Child is from Greece, and features Vangelis, long before “Chariots Of Fire”.

Brian Davison was the drummer in the Nice. This 1970 solo album is nothing like his former band.

Tempest was a power trio freaturing Ollie Halsall, sadly best known for playing “Paul” on The Rutles recordings. He briefly joined this band, wrote all the songs, and sang lead on the album they recorded and left, to play with Kevin Ayers.

Bram Stoker is a band who left behind an album with nary a trace of other info. This is one of those that collectors go nuts for. Same goes for Pete Fine’s.

I only downloaded Aubrey Small a few days ago, and barely know “Smoker Will Blow”. This description caught my eye:
“The recording experience at Trident became intoxicating and at times even became somewhat surreal. For one number “Smoker Will Blow”(producer)John Anthony had the idea of putting orchestration on the track as it was too simple. Within a matter of days arranger Richard Hewson appeared together with a huge assembly of the finest jazz and orchestral musicians available. Here was another highly respected musician who had a list of high profile credits to his name including the Beatles, Bee Gees, Diana Ross, Art Garfunkel, Fleetwood Mac, Supertramp, Chris Rea among others – another who’s who! The band watched from the control room with amazement as an extraordinary and complex soundscape unfolded on their song”.

Kaleidoscope was an English band whose roots were in ’60’s psychedelia, and released some really exceptional music, but for some reason ended up with less than nothing. This song is the closer to an album they finished in 1971, but didn’t see release until 1992.

Prognosis

Prognosis Too

Enjoy!
-BBJ

I liked the new neck so much I regretted not doing a better job painting it, so I repainted with 20 coats of lacquer, and upgraded the pickguard. Now it’s finally finished. 1987 Fender Japan 50’s reissue body with Fender licensed USA made late ’60’s style neck. Tuners, and except for the ’90’s Les Paul humbucker, original hardware.

Glam Slam

With the sad passings of David Bowie, and Dale “Buffin” Griffin, it seemed only right to put together a tribute to “The Golden Age Of Rock n Roll”.

Right away I was reminded all that glitters isn’t necessarily “Glam”. In fact there isn’t that much of it as the whole era collapsed the minute it became a category. But the influence continues. Many elements that seemed new are now standard features.

Glam checklist: Theatrical make-up and stage persona. Image conscious with a fondness for fifties styles and POP Art mashups. Saxophones, female back-up singers, Flashy lead guitar stylist as foil to singer. Muscular rhythm section. Elements of prog.

Even though there is no Glam without Bowie, he doesn’t appear. Instead Bauhaus represents with their faithful, lively rendition of “Ziggy Stardust” (1982, number fifteen on the UK singles chart), illustrating how glam morphed into goth. Just because the dinosaurs are gone doesn’t mean we’re not surrounded by birds. If you know what I mean.

In the valley of The New York Dolls, you mean. Generation X’s “Valley Of The Dolls” is straight up glam. It’s only missing chick singers and saxophones. From their sophomore effort. When they were still a band.

“Rock Star” is from “Velvet Tinmine” a collection of obscure UK singles from the era (1973-5), and is by Bearded Lady. I found a page in wikipedia and there is really nothing to know.

“Needles In The Camel’s Eye”, worked so well for Todd Haynes during the opening of “Velvet Goldmine”. It’s the most successful part of the movie.

A lot of art rock got lumped in with glam, and Kevin Ayers wore the make-up. “Interview” is kind of a bookend to David Essex’s “Rock On”.

Queen knocks it out of the park with “Now I’m Here”. Epic on every level. Sheer Heart Attack indeed.

Enjoy!

Glam Slam

Out For Dinner

Front Cover

Lately I’ve been collecting a lot of “out” music. Out of print, and just plain “out there”. I like to listen when I cook, I find that music organizes my mind so I can focus on what I’m doing. I made this compilation for that sole purpose, and dinner specifically, hence Out For Dinner, preferably with a nice glass of beer to help mange your thirst and sense of well being. One consideration is that while doing this I’m not wearing earbuds, which I hate, but filling the whole house with whatever I’m listening to, so I try not alienate my wife and 11 year old daughter with music is too confrontational. When I’m cooking, I tend to gravitate toward contemplative.
Anyway I have a nice selection of tunes for you.

 

This post is a followup to Some Bright Stars For Queens College, as it needed company on the cd it inspired.

Check out the comments.

Back

Religious Experience with Syd Barrett

 
 

Any good record store should have it.

Any good record store should have it.

Kevin on back of cd

Kevin on back of cd

Syd, about the time of this session

Syd, about the time of this session

When there were record stores I used Kevin Ayers as my main yardstick. I’d walk in, make a bee-line to the A’s, and see if they had a Kevin Ayers section. And if they did, what did they have? I could instantly tell a lot about the depth of their catalog. Next I’d check for Roy Harper. A lot has to do with always being on the lookout for a couple gaps in my collection. A decent stock would have “Joy Of A Toy” as an import.

This was mixed from the original 8 track tapes in 2003 for inclusion on the superb reissue of Kevin Ayer’s 1969 “Joy Of A Toy”. The unissued masters had long vanished. It’s existence known but essentially unheard. I believe this is the only session Syd Barrett played on outside of Pink Floyd and his solo recordings.
Syd was outside Pink Floyd at the time of this session.
From the cd liner:

An Avid enthusiast of Syd Barrett, the wayward ex-Pink Floyd genius. Ayer’s felt Syd’s contribution could enhance his latest composition. On the way to Abbey Road studios, Kevin called into Barrett’s flat and requested his presence on the session. And so it was on November 9th 1969 Kevin Ayers and Syd Barrett worked on the first version of “Religious Experience”. Present ealier in the day were Richard Coughlan and Richard Sinclair from Canterbury band Caravan.
After some consideration it was felt that Syd Barrett’s psychedelic guitar contribution was too uncommercial, the track overlong and the decision was made to re-record “Religious Experience”.

They didn’t exactly do that. Instead the rhythm tracks were bounced to another 8 track (pretty much everything but Syd). Kevin did a new vocal, paraphrased some of Syd’s guitar, added The Ladybirds on vocals, etc.
Kevin knew Syd as his former band, The Soft Machine shared a bill with Pink Floyd , and probably a dozen other bands, at an marathon outdoor festival on Ibiza in the summer of 1967.

Kevin Ayers has had a long and interesting career.  He is an original, and creative artist. As usual, I tend to go for the earlier stuff. I’m unfamiliar with anything recorded after 1978.
Except his latest, “The Unfairground” (2008), is easily one of his best. Affectionately backed by an amalgam of indie superstars I never heard of, it sounds like it could be a followup to “Joy Of A Toy”, all his wit and charm is intact.
Kevin Ayers is currently living in the south of France, according to his MySpace page.

I just checked out the post and need to include the finished version.  Released on a 7″ single as “Singing A Song In The Morning” with “Eleanor’s Cake”(Which Ate Her) from “Joy Of A Toy” on April 19, 1970.  They always say Syd had been excised from the final, but that guy on electric guitar sure plays like him.  If it’s Kevin, he nailed it.

Religious Experience
Singing A Song In The Morning