The Curse Of The Mekons

 
 
 
 
 
 
 
 

The Mekons

The Mekons

The curse is of course an unwillingness to compromise and the lack of success that goes with it. I have no idea how popular they are at this point. I’m sure they still play Maxwell’s, in Hoboken, where back in the day they probably shared bills with the likes of REM, the B-52′s, or other bands that went on to find fame and fortune. Except for a brief experience with A&M, who soon dropped like them like the proverbial hot potato, they have spent their entire career on Indie labels making their music difficult to find. When I went to record stores or cd shops, I’d make a quick check to see how deep their catalog went by looking for artists most didn’t bother to carry. After searching for Kevin Ayers, and Roy Harper, I’d check for anything by the Mekons.

The Mekons are a British rock band. Formed in the late 1970s, they are one of the longest-running and most prolific of the first-wave British punk rock bands.

The band was formed in 1977 by a group of University of Leeds art students that included Jon Langford, Kevin Lycett and Tom Greenhalgh – the Gang of Four and Delta 5 formed from the same group of students. They took the band’s name from the Mekon, an evil, super-intelligent Venusian featured in the British 1950s-1960s comic Dan Dare (printed in the Eagle). The band’s first single was “Never Been in a Riot”, a satirical take on the Clash’s White Riot. For several years the loose-knit band played noisy, bare-bones post-punk, releasing singles on a variety of labels. The Mekons’ first album, The Quality of Mercy is Not Strnen, was recorded using the Gang of Four’s instruments, and due to an error by the Virgin Records art department, featured pictures of the Gang of Four on the back cover. After 1982′s The Mekons Story, a compilation of old recordings, the band ceased activity for a while, with Langford forming The Three Johns.
By the mid-1980s (revitalised by the 1984 miners’ strike) the Mekons had returned as an active group. The band was now augmented by vocalist Sally Timms, violinist Susie Honeyman, ex-Damned member Lu Edmonds, accordionist/vocalist Rico Bell (a.k.a. Eric Bellis), and former The Rumour drummer Steve Goulding, and Dick Taylor, original guitarist of The Pretty Things.

They began to experiment with musical styles derived from traditional English folk (tentatively explored on the English Dancing Master EP prior to the hiatus), and American country music. Fear and Whiskey (1985), The Edge of the World (1986) and Honky Tonkin’ (1987) exemplified the band’s new sound, which built on the innovations of Gram Parsons and blended punk ethos and left wing politics with the minimalist country of Hank Williams. Subsequent albums, such as The Mekons Rock’n'Roll, continued to experiment with diverse instrumentation (notably the fiddle and slide guitar).

The Mekons Rock and Roll was the band’s first major label release. Issued by A&M Records in 1989, Rock and Roll was not a commercial success, but it was met with critical acclaim.

Just as the Mekons began to grow in critical stature, their relationship with A&M Records became tense, and the Mekons were soon dropped by the label, unable to fulfill their commercial expectations. However, they continued to record at a prolific rate, releasing such notable albums as 1991′s The Curse of the Mekons, 2000′s Journey to the End of the Night, and 2002′s OOOH!. In April 2009 the Mekons returned to the studio to complete a new collection of songs, although it was unclear how these would be released as their label Touch and Go had gone bust.

Jon Langford has been busy as an artist and as founder of several solo and band projects, including the Waco Brothers (a punk-meets-Johnny Cash-like ensemble) and the Pine Valley Cosmonauts (exploring the music of Bob Wills, Johnny Cash and others). Besides his solo albums he has released CDs with Richard Buckner and Kevin Coyne.

The band has toured and recorded with a mostly unaltered lineup (Langford, Greenhalgh, Timms, Goulding, Bell, Edmonds, and bassist Sarah Corina) throughout the 1990s and early 21st century, and has a highly devoted following.

The Mekons today-ish

The Mekons today-ish

The Curse
Memphis, Egypt
I Love Apple
Chemical Wedding
I Can’t Find My Money
Maverick
Hole In The Ground
Secrets

7 thoughts on “The Curse Of The Mekons

  1. Buzzer!
    I was in England in the early eighties and was astounded to find myself at a pub that had advertised a Mekons show. The odd thing was that it was a reunion that featured every member who had ever been in the band since the beginning. The Elephant And Castle Pub was the place to be. I was well aware of the songs “32 Weeks” and “Where Were You?” from a FAST RECORDS COMPILATION and stood there slack-jawed as I heard these, which are some of my favourite tunes.
    This is some early punk/art rock that everyone should hear. They’re like reading a good cartoon strip. Like a great Minutemen song. Haiku. Short, succinct, political, rocking, funny. These are the traits of a tune that just suck me in. I grabbed a poster off of the wall after the show that was hand painted, printed with felt-pen colors advertising the show probably created by one of the Mekons. I carried and cherished that thing all the way back home to California only to have some asshole (you probably can guess who it was) come over to my house and flirt with my girlfriend. He was chasing her around my apartment and threw a glass of water at her, drenching the poster that hung in the hall. Fucking ruined it. I wanted to kill him. Maybe I should. I still have it but I can’t stand to even look at it or hang it up again. I’ve seen later incarnations of this constantly mutataing band and it’s always worthwhile but that show I attended in the U.K. was a once in a lifetime party! There must have been what seemed to be about 20 members rotating on and off the stage all night long. Fucking Magic!

  2. I can’t listen to XTC “Drums and Wires” because it was my new favorite thing just as I was about to suffer the worst dumping of my life.
    Your comments are like the “second line” of the posts. I was going to post the 101′ers “legsgetabitarockin’” when I thought of the Mekons.

  3. Bizarre! I’m sure that “Drums and Wires” was a gift to me from that same chick that was in the water fight. You should pull that record out and revel in the fact that you’re not with her anymore… here we go again, I’ll keep it short…I was out with a friend (let’s call him Mr.A) and this girl who was having a fight with her boyfriend (Mr. B)..he was also my friend, shows up at this bar and starts unexpectedly making out with Mr.A. She does this in hopes that Mr.B will find out from me about what had happened…I didn’t say a word because the whole thing was manipulative and idiotic. Mr.B finds out anyway and wants to kill Mr. A.
    I tell him ” Don’t you see how lucky you are? She’s a fucking idiot!” “If she’s as fucked up as that, you should thank her and him for making your life easier”.
    C’mon, Make Some Plans For Nigel! Feel Like You’re Walking ‘Round Ten Feet Tall! I have a similar record that was big in a breakup…Hounds Of Love…I listen to it when ever I want! Ain’t one single cymbal on that whole record. Thanks for letting me have a blog within your cool cool blog!

  4. I guess I could have said the worst dumping of my life came at the hands of Jerry Nolan. He stole my girl. What chance did I have?

  5. The Revenge of the Mekons fundraising campaign is live on Kickstarter! Please check it out. Lots of great gifts & prizes!! Help pass the word by sharing the link. Thanks! http://kck.st/9Is6ea

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