The Birthday Party/RIP Rowland S. Howard

 
 
 
 
 
 
 
 

Nick Cave and Rowland S. Howard

Enough Bullshit! Let’s get to some real music.
I just found out Rowland S. Howard died of liver cancer on December 30, 2009, at age 50 (yikes).
He is best known for his work with The Birthday Party, one of the most powerful rock n roll bands to walk the earth.
Also present in the band was Nick Cave, whose long career tends to overshadow his not at all humble beginnings.

He had this to say about Rowland’s passing: “This is very sad news, Rowland was Australia’s most unique, gifted and uncompromising guitarist. He was also a good friend. He will be missed by many.”

Back in the mid ’80’s The Birthday Party was my favorite band. The sheer ferocity of their music made everything else sound like teddy bears.
The great part was that no matter how noisy and malevolent they sounded, the undercurrent of musicality and humor made it even worse. They wrote about darkness as if it were funny, and committing mayhem a joyous occasion, which made them even scarier.
Nick’s delivery was nearly Shakespearian, and the band muscular and impeccably tasteful for all the ungodly noise they created.

The Birthday Party hired famed “Rat Fink” originator, and hot rod artist, “Big Daddy” Roth to do the cover of their third album Junkyard (pictured).
Roth was a devout Christian at the time and knew nothing of the band when he created the artwork. Afterwards when he heard the album he regretted his contribution.

I'm glad "Big Daddy" didn't hear it first

Feel free to consult wikipedia for a Birthday Party bio: http://en.wikipedia.org/wiki/The_Birthday_Party_(band)

Nick Cave’s albums post Birthday Party are okay. Some are excellent, his first, From Her To Eternity (1983/4), is brilliant.
His covers album, Kicking Against The Pricks (1986) contains a transcendent version of “Long Black Veil”, as well as a few decent others.
His appearance, wearing a tuxedo, was a little too reminiscent of Bryan Ferry, and a couple of his early ’90’s albums sound a little too much like wannabe crooner for my taste. The Murder Ballads (1996), on the other hand is one of his best, but nothing on it even comes close to the power of “Deep In The Woods”, from the Bad Seed (1982)Ep.
Nick’s albums post Birthday Party are better than any of Lou Reed’s, post Velvet Underground, at least.

Check out the tunes. First one, “Big Jesus Trashcan” kills me every time, even after a few thousand plays. Actually all of it does.

Big Jesus TrashCan
Deep In The Woods
King Ink
Nick The Stripper
Wildworld
Swampland
Jennifer’s Veil
She’s Hit

Chula Vista 8:46 AM

 

Originally captured with cell on 8/25/09.

It’s been too long since the last post, and I’m sorry about that. Instead I’ve been finishing up this painting, video and music. I originally bought the domain to host a webpage for my art, but instead I started the music blog. I’ve posted this on all the usual social networks, and introduced it by saying, “Sorry it’s been so long since the last one. Life takes interesting twists and turns.” Like starting a blog.

I created the music for the video. I’m a better painter than musician, so it’s my main thing, although both muses fight for my attention. I’m in the process of putting together a show of the first paintings completed after a fifteen year break.
The webpage is next. After a couple more paintings.

The videos were initially an afterthought, but have become integral to my process. There is always the moment, after I’ve sketched it quickly in yellow, magenta, and blue, that I wish I could stop and be satisfied with it. I almost regret the first brushstrokes afterwards, which are usually starting to paint the sky. With the video that moment, and many others are preserved.
Another opportunity for the painting to further explain itself.

The file was too large to host, so here it is on YouTube:

Or Vimeo:

Chula Vista 8:46 AM