Number Fifty Two

Buzz Baby Jesus Posted in Better Than Original, Country Music, Decent Version, Extra Swingin, Folk Rock, Great Black Music, Hipster classic, Interesting Artifact, Jazz, Power Pop, Real Gone, Reggae, Rockin', Singer Songwriter, VIP Guest Appearance,Tags: , , , , , , , , , , ,
3

The Playlist

A friend sent me a link to someone’s idea of the greatest rock guitar solos on record because “Baby’s On Fire”, one of my first posts, and a guitar solo I’d nominate for some kind of “best” list, was on it. I can’t remember what the other eleven tracks were, except I wasn’t familiar with most of them, or my response was, “What?!”. A brief email correspondence took place where I nominated a handful of solos that would be on my list, and got as far as promising it would be the theme for the next “Bullshit”. I started to jot down some ideas, a little disappointed that “Baby’s On Fire was already on Number Fifty when I realized I had no interest in compiling or listening to all that fretful wankery.
Also I’d collected the solo-less “Yummy, Yummy, Yummy” from Lux N Ivy’s Favorites and already earmarked it for Now That’s What I Call Bullshit 52.
All the Bullshits tend to follow the same pattern of eclecticism, so I lost the guitar solo theme. That said, a few of them made it onto the playlist. They are grouped together in a mini set consisting of “Old Pervert”, possibly my favorite Kimberly Rew solo from The Soft Boys Underwater Moonlight. Interesting because this version is not on the cd reissue, where it has been replaced by a vastly inferior rendition. This version is dubbed from a cassette copy I made in 1986 of the original vinyl release. Next up is “Lounge Lizard” from Ian Hunter’s first solo album featuring Mick Ronson on guitar. It’s really hard to narrow Mick down to a single solo, but I think this one stands out for all the right reasons. After that comes “Tit-Nan-Darag”, from Live, Love, Larf by French, Frith, Kaiser, and Thompson. Three out of four of those guys are well known for their guitar prowess. The other guy for the incredible drumming in Captain Beefheart’s Magic Band. I hear the album isn’t great, but this track smokes, and when Richard Thompson plays, I listen. It wasn’t destined for my list, but his solo on Fairport’s “Tale In Hard Time” is no laughing matter, either. It’s not a solo, but Blixa Bargeld’s guitar on “The Moon Is In The Gutter” is some of my favorite atmospheric noodling. Davy O’List plays some crazy shit on “The ‘In’ Crowd”, Mick Ronson shimmers tastefully on “Up To Me”, and the guitars on Acetone’s “No Need Swim” are as gorgeous as you-fill-in-the-blank.
Keef’s playing on “Honky Tonk Women” and Ron’s solo on “Twisting the Night Away” would have both made the cut, but I’ve heard them too many times, so here they are together on “Not Fade Away” from The Stones Stripped Deluxe, where no one in the band sounds like they plan on fading away any time soon. And then there’s Lou Reed on “You’re Driving Me Insane”, a song recorded by The Roughnecks shortly before forming The Velvet Underground, where he plays the practically same solo (if you can call it that) as “Run, Run, Run” from the “banana” album.
The Mekons always have good guitars, and are here because this song narrowly missed the cut on my post a few months back. One of the Mekons, Lu Edmonds, is currently playing guitar on tour with Public Image Ltd.
The Liquor Giants “I Don’t Mind” is a dead ringer for Big Star. Too bad it wasn’t covered by them on In Space.
Something by Chris Spedding would have found it’s way onto the guitar list, check out Roy Harper’s “The Game” on an earlier post, so I end the set with the Sharks hysterical “Kung Fu”, from Jab It In Yore Eye(1977). One of those albums that wouldn’t make it onto anyone’s all-time list, but for some reason I played to death way back when, largely due to Spedding’s incredible tone and economy coupled with Snip’s charismatic vocals.
There isn’t any guitar at all on Gene Krupa’s “Scandanavian Baby”, but it rocks nicely and comes from a history of Jazz record my parents bought at a supermarket when I was a toddler.
It’s really about the songs anyway.
Link in Comments.
Enjoy!

The Birthday Party/RIP Rowland S. Howard

Buzz Baby Jesus Posted in Country Music, Extra Heavy, Real Gone, Rockin',Tags: , , , , , , , , , , , ,
7
 
 
 
 
 
 
 
 

Nick Cave and Rowland S. Howard

Enough Bullshit! Let’s get to some real music.
I just found out Rowland S. Howard died of liver cancer on December 30, 2009, at age 50 (yikes).
He is best known for his work with The Birthday Party, one of the most powerful rock n roll bands to walk the earth.
Also present in the band was Nick Cave, whose long career tends to overshadow his not at all humble beginnings.

He had this to say about Rowland’s passing: “This is very sad news, Rowland was Australia’s most unique, gifted and uncompromising guitarist. He was also a good friend. He will be missed by many.”

Back in the mid ’80′s The Birthday Party was my favorite band. The sheer ferocity of their music made everything else sound like teddy bears.
The great part was that no matter how noisy and malevolent they sounded, the undercurrent of musicality and humor made it even worse. They wrote about darkness as if it were funny, and committing mayhem a joyous occasion, which made them even scarier.
Nick’s delivery was nearly Shakespearian, and the band muscular and impeccably tasteful for all the ungodly noise they created.

The Birthday Party hired famed “Rat Fink” originator, and hot rod artist, “Big Daddy” Roth to do the cover of their third album Junkyard (pictured).
Roth was a devout Christian at the time and knew nothing of the band when he created the artwork. Afterwards when he heard the album he regretted his contribution.

I'm glad "Big Daddy" didn't hear it first

Feel free to consult wikipedia for a Birthday Party bio: http://en.wikipedia.org/wiki/The_Birthday_Party_(band)

Nick Cave’s albums post Birthday Party are okay. Some are excellent, his first, From Her To Eternity (1983/4), is brilliant.
His covers album, Kicking Against The Pricks (1986) contains a transcendent version of “Long Black Veil”, as well as a few decent others.
His appearance, wearing a tuxedo, was a little too reminiscent of Bryan Ferry, and a couple of his early ’90′s albums sound a little too much like wannabe crooner for my taste. The Murder Ballads (1996), on the other hand is one of his best, but nothing on it even comes close to the power of “Deep In The Woods”, from the Bad Seed (1982)Ep.
Nick’s albums post Birthday Party are better than any of Lou Reed’s, post Velvet Underground, at least.

Check out the tunes. First one, “Big Jesus Trashcan” kills me every time, even after a few thousand plays. Actually all of it does.

Big Jesus TrashCan
Deep In The Woods
King Ink
Nick The Stripper
Wildworld
Swampland
Jennifer’s Veil
She’s Hit

Gillian Welch “Pass You By”

Buzz Baby Jesus Posted in Country Music, Extra Heavy, Extra Swingin, Real Gone, Rockin', Singer Songwriter,Tags: ,
5
 
I really don’t know a thing about her. This song swings like a motherf*&%er. It comes from a Geffen Records promo cd compilation I bought as a cut-out, and is pretty much the only song worth listening to. It’s also the only music I’ve ever heard of hers and I like it very much. I’d be willing to cross the street to hear more.
gillian welch
wiki
Gillian Howard Welch (born October 2, 1967 in New York City) is a singer-songwriter whose musical style combines elements of bluegrass, neotraditional country, Americana, old-time string band music, and folk into a rustic style that she dubs “American Primitive”. Her recordings feature the harmonies and unconventional guitar work of her musical partner, David Rawlings. Welch pronounces her first name with a hard G /ɡ/ rather than /dʒ/.
Welch was born in Manhattan and was adopted when she was three days old. She moved to Los Angeles at the age of four. On her eighth birthday she wished for and got a guitar and lessons, and learned soon to play the guitar. Studying at the University of California, Santa Cruz, Welch discovered bluegrass music through the “mountain soul” stylings of The Stanley Brothers. After a short stint playing bass in a local camp band called Söfa, Welch moved to Boston and studied at the Berklee College of Music.

Pass You By is on this here album from 1996

Pass You By is on this here album from 1996

Pass You By

Okkervil River-The Stand Ins

Buzz Baby Jesus Posted in Country Music, Folk Rock, Rockin', Singer Songwriter, Topical,Tags: , ,
0
 
 
 
 
Indie Band Hits Home Run

Indie Band Hits Home Run

So far this blog has mostly dug up older music you might have missed. There is, as always, a lot of great new music out there. Okkervil River’s The Stand Ins is an album worth hearing from last year, and is a classic example of an indie record achieving greatness. Most of the time the difference between “indie” and “classic” boils down to production values. They sound indie because they sound cheap, and they were. When a band transcends their station and creates work that can stand up there with the big boys, it’s really an accomplishment worth applauding. Most of the time it’s that one album when the planets were aligned, everything came together, and the results surprised everybody. These are the records that never leave my playlist.
I think the Stand Ins will turn out to be one of those. Based on the fact that it survived whatever hype and still sounds good in 2009, I think it will still sound good in 2018.
Because I’m old, it reminds me most of Lola era Kinks, if I were younger, I’d mention the Smiths, and a lot younger, Arcade Fire, but I really don’t like referencing other artists as a comparison because so often it’s not helpful, or fair to the artists.
Using a broad pallette of instruments, Okkervil River have a bright, folk rocky, sound all their own. Will Sheff’s songwriting is first rate. A world class act that will be hard to follow.

Minus the yard gnome, on tour in Wisconsin

Minus the yard gnome, on tour in Wisconsin


wiki

Okkervil River is an indie rock band from Austin, Texas. Formed in 1998, the band takes its name from a short story by Russian author Tatyana Tolstaya. They self-released their first album, Stars Too Small to Use, which led them to the South by Southwest music festival. After recording their first album in a garage, they signed with Jagjaguwar. Okkervil River continued by releasing four more albums, including critically lauded concept album Black Sheep Boy.

After a period of touring for Black Sheep Boy, Okkervil River followed up with The Stage Names. The album sold 10,000 in its opening week in the United States. The group released a free covers album, Golden Opportunities Mixtape from their live performances.

The band has garnered positive critical reception. Especially noted are each song’s lyrics, intricate instrumentation, and thematic albums. In addition, they were recently featured on the talk show Late Night with Conan O’Brien and have performed with high profile bands such as The Decemberists, The New Pornographers, and Lou Reed.

Okkervil River released their most recent album The Stand Ins on September 9th, 2008. They are promoting the release with a series of cover songs from the album on YouTube by people they’ve met as a band.

Okkervil River’s founding members became friends in high school in Meriden, New Hampshire, and after parting ways for college moved to Austin, Texas to live together and start a band. The band consisted of singer-songwriter Will Sheff, Zach Thomas on bass and mandolin, and Seth Warren on drums. Their first gig was at Steamboat in Austin on January 11, 1999.

On April 17, 2006, Okkervil River signed with Virgin/EMI in Europe. The label re-released Black Sheep Boy and its follow-up Black Sheep Boy Appendix as a double disc on April 28, 2006. Jagjaguwar eventually followed suit, releasing the Definitive Edition with extra songs and videos.

The Stage Names, their fourth full-length studio album (produced again by Beattie), was released on August 7, 2007. The disc features the solidified line-up that toured extensively on Black Sheep Boy and the Black Sheep Boy Appendix, with Cassidy replacing Draper who joined Shearwater. The album was met with critical acclaim and debuted at number 62 on the Billboard 200 with 10,000 copies sold.

Okkervil River released their fifth album The Stand Ins on September 9th 2008. The album was conceived as a sequel to The Stage Names. The album charted at #42 with 11,000 copies sold, according to the Billboard 200.[8] On December 12, 2007, the band freely released a nine-song mixtape entitled Golden Opportunities Mixtape via their website.[9] These recordings, along with the upcoming appendix, are the first to feature contributions from new touring keyboardist, Justin Sherburn, who joined the band in November 2007.

At a show in Wellington, New Zealand on 5 March 2008 it was announced that guitarist Brian Cassidy would be stepping down from the band as a full-time touring member. Shortly after this on 12 March 2008, it was subsequently announced that Cassidy’s temporary replacement would be Charles Bissell of The Wrens for their spring and summer tours. [10] In the autumn of 2008 Lauren Gurgiolo, singer and songwriter of the Austin, Texas band The Dialtones, joined as a permanent member, playing electric guitar, mandolin and banjo.

On April 21, 2009, the “Pop Lie” single was released backed with the B-Sides “Millionaire” and “Pop Lie (One Man Band Version)”

Singer Songwriter
Blue Tulip
Pop Lie
Calling And Not Calling My Ex

Ruby Don’t Take Your Love To Town/Monster ’69

Buzz Baby Jesus Posted in Country Music, Extra Heavy, Folk Rock, Rockin', Singer Songwriter, Topical,Tags: , , , , ,
3
 
 

I’ve always loved this song. “Ruby” breaks my heart every time. It’s amazing how topical popular music could be. What top ten hit today deals with shattered soldiers returning from an unpopular war in such a frankly disturbing manner?

This downer song was a hit, and still relevant.

This downer song was a hit, and still relevant.

The First Edition (later known as Kenny Rogers and the First Edition) was a country music/rock band stalwart members being Kenny Rogers (vocals & bass guitar), Mickey Jones (drums & percussion) and Terry Williams (guitar & vocals). The band formed in 1967, with noted folk musician Mike Settle (guitar and vocals) and the operatically trained Thelma Camacho completing the lineup.

The First Edition signed with Reprise Records in the summer of 1967 and first hit big in early 1968 with the pop-psychedelic single “Just Dropped In (To See What Condition My Condition Was In)” (US #5). After several hits and misses the group (now billed as “Kenny Rogers and the First Edition”) once again hit the top ten in the summer of 1969 with the topical Ruby, Don’t Take Your Love To Town (US #6, UK#2).

For the next six years, the First Edition bounced between country, pop and mild psychedelia, enjoying worldwide success.

These guys were scary.

These guys were scary.

Steppenwolf’s “Monster_Suicide_America” is 40 years old, but sounds like it was written today.
Except the reality expressed in the song is worse now, making it more like prophecy come true.
Music was an important part of the culture. What has been lost saddens me. Fortunately, the industry as we know it, is dying
a not-so-slow death, so maybe something good will come of the demise.
Meanwhile enjoy the topical tunes. This stuff used to get played on the radio.

Monster is an album by the band Steppenwolf, released in 1969 (see 1969 in music) and was their first LP with new lead guitarist, Larry Byrom instead of Michael Monarch. The album was Steppenwolf’s most political one, making references to important issues at the time, such as the Vietnam War.

The title refers to the contemporary politics and state of the U.S., as in the lyrics to the title song:

“The cities have turned into jungles,
and corruption is stranglin’ the land.
The police force is watching the people,
and the people just can’t understand.
We don’t know how to mind our own business,
’cause the whole world’s got to be just like us.
Now we are fighting a war over there.
No matter who’s the winner, we can’t pay the cost.
‘Cause there’s a monster on the loose,
it’s got our heads into the noose.
And it just sits there… watching.”

The album was the first Steppenwolf album not to feature a US top ten hit, and can thus be seen as the beginning of their slow fall from fame. Even though this album, “Live”, “Steppenwolf 7″ and “For Ladies Only” are today seen as making up the latter half of their ultimate prime, their days of “Born to Be Wild”-like fame were over. Still two singles from the album cracked the top 40, and Steppenwolf would continue landing albums in the US top 20 for a while yet, a factor that became more and more important during this time.

As seen above, the title track is a call for pacifism and a more ethical society. The tone, which can be seen as very provocative towards the political decisions of the US at the time, continues with “Draft Resister”, which glorifies draft resisters as heroes.

Ruby Don’t Take Your Love To Town
Kenny Rogers And The First Edition
Monster-America-Suicide
Steppenwolf

The Geraldine Fibbers

Buzz Baby Jesus Posted in Country Music, Folk Rock, Singer Songwriter,Tags: , , ,
3
 
 
 
 

GeraldineFibbers-Lost
I found Lost Somewhere Between The Earth And My Home, released in 1995, in the cut-out bin. Somehow pigeonholed as Alt-Country, this album defies categorization. While Jessy Greene plays violin and cello, nowhere in the credits does it say “fiddle”. It’s really more like the Velvet Underground than anything from Nashville. I believe everything Carla Bozulich says even though my favorite lyric is:

(from “Dragon Lady”)
Everything I say is a stupid lie
I won’t tell the truth even when I die
I’ll pick myself to pieces ’til the end of time
Then I’ll glue them back together in a stupid rhyme

The music is a tasteful balance between noise and music, played with feeling.
I’ve never been able to get into their next, Butch, released in 1997, which I found in the same milk crate as the first, but a year later. I just checked again, and while Carla wrote a decent batch of songs, there have been personnel changes and it just isn’t the same.

The Geraldine Fibbers

The Geraldine Fibbers

The Geraldine Fibbers were an alt-country band founded in 1994 by Carla Bozulich. Initially, band members included Bozulich, Daniel Keenan, Jessy Greene, William Tutton and Kevin Fitzgerald. While Bozulich had previously been known for noisy industrial music (Ethyl Meatplow), The Geraldine Fibbers fused American roots music and blues-influenced punk.

In early 1996, Keenan and Greene departed, to be replaced by Nels Cline, the band shifting to a more guitar-rock sound.

The band later featured Julie Fowells, Jessica Moss, and Leyna Marika P. on violin.

Dragon Lady
A Song About Walls
Blast off Baby
Get Thee Gone

Red Foley/Kitty Wells

Buzz Baby Jesus Posted in Country Music, Uncategorized,Tags: , , , , ,
4
 
 
Red Foley

Red Foley

I’m not crazy about what passes for Country Music these days. It bears little resemblance to  it’s roots. Gram Parsons pioneered Country Rock in the ’60′s and early ’70′s with The Byrds, Flying Burrito Bros, and his incredible pair of solo albums, but much of the progeny is pretty ugly. Garth Brooks, aka Chris Gaines, would confuse both Gram and Hank Williams.   Mix equal parts Country and Blues and you’ve got the raw ingredients for Rock N Roll.

“One By One”, the 1954 duet of Red Foley and Kitty Wells I’ve included sounds like the prototype for Gram and Emmy Lou Harris on songs like “We’ll Sweep Out The Ashes” from 1972′s “GP”.  Speed up”Midnight”, Red’s 1952 #1 Country Music hit and you’ve got rockabilly, even though it predates Elvis at Sun by two years.   Give these great tunes a spin and enjoy!

Rockin prototype

Rockin prototype

Here’s wiki:

Clyde Julian Foley (June 17, 1910–September 19, 1968), better known as Red Foley, was an American singer, musician, and radio and TV personality who made a major contribution to the growth of country music after World War II.

For more than two decades, Foley was one of the biggest stars of the genre, selling more than 25 million records. His 1951 hit, “Peace in the Valley,” was the first million-selling gospel record. A Grand Ole Opry veteran until his death, Foley also hosted the first popular country music series on network television, Ozark Jubilee.

He is a member of the Country Music Hall of Fame, which called him “one of the most versatile and moving performers of all time” and “a giant influence during the formative years of contemporary Country music.”

Kitty Wells

Kitty Wells

Ellen Muriel Deason (born August 30, 1919), known professionally as Kitty Wells, is an American country music singer. Her 1952 hit recording, “It Wasn’t God Who Made Honky Tonk Angels,” made her the first female country singer to top the U.S. country charts, and turned her into the first female country star. Her Top 10 hits continued until the mid-1960s, inspiring a long list of female country singers who came to prominence in the 1960s.

Wells’s success in the 1950s and 1960s was so enormous that she still ranks as the sixth most successful female vocalist in the history of the Billboard country charts, according to historian Joel Whitburn’s book The Top 40 Country Hits, behind Dolly Parton, Loretta Lynn, Reba McEntire, Tammy Wynette, and Tanya Tucker. Wells was the third country music artist, after Roy Acuff and Hank Williams, to receive the Grammy Lifetime Achievement Award in 1991, as well as being the eighth woman and first Caucasian woman to receive the honor. In 1976, she was inducted into the Country Music Hall of Fame. She is as of 2009 — at age 90 — the oldest living member of the C&W Hall of Fame. Wells’ accomplishments earned her the moniker The Queen of Country Music.

One By One
Midnight