Frankly Brilliant

Buzz Baby Jesus Posted in Art Rock, Extra Swingin, Hipster classic, Interesting Artifact, Real Gone, Rockin', Topical, Uncategorized,Tags: , , , , , , , , , ,
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I painted this seven feet high

I didn’t “get” Frank Zappa for a long time. My friend Slow Uncle, did, and tried to interest me. I eventually bought We’re Only In It For The Money, largely for the hilarious send up of Sgt Pepper’s album cover, but I didn’t think the songs were very good. I mentioned a couple posts back being exposed to “The Mudshark” from Live at Fillmore East, June 1971, and my parents disapproval, but I wasn’t really ready for it. I liked the toilet humor and everything, but I hated jazz and the music was over my head.

Still cracks me up

When I moved into my dorm room at San Diego State in the fall of 1976, we were encouraged to paint our rooms or if we felt like it, murals outside our rooms. Sounds crazy, but this was the ’70′s. Even though I wasn’t a fan of his music I always admired his irreverence, that’s why I painted his likeness from We’re Only In It For The Money next to the door outside my room. I don’t have a picture of it, but to the right is what I copied, including Frank’s wondering, “Is This Phase One Of Lumpy Gravy?”

I was no longer living in the dorm in the Spring of 1978 when he played the amphitheatre on campus where I witnessed a phenomenal performance. After the last song the audience stood and began clapping and yelling for what seemed to be 30 minutes or more.
Eventually Frank came onstage and said, “You people are crazy. We can hear you all the way in the dressing room”, at which the band came back out and proceeded to play another hour and a half.  Interesting detail:  There was a guy in Frank’s band I never heard of  that played guitar and did a dead-on Dylan impersonation.  His name was Adrian Belew.   A month or three later I went to see David Bowie at the San Diego Sports Arena and there he was again! I thought he was great until he started singing on King Crimson records.

A couple months ago, Q, drummer in Foglizard, where I am a member of the rhythm section, said he planned to spend the summer listening to Frank, and did I own anything he could borrow?  I had Fillmore East June 1971, and Ahead Of Their Time.  I did some research and managed to acquire 17 FZ releases for personal review.
I tend to prefer the work of the original Mothers of Invention. Maybe because they were a band he joined and took over. After he fired them in 1969, he hired ever more amazing musicians, but with a diminishing amount of soul.

In around 1991, I bought a cd copy of Cruisin With Ruben And The Jets, an album I remembered as being a fun parody/tribute to old R&B and Doo Wop. There was something terribly wrong with it, which turned out to be that Frank had rerecorded the original drum and bass parts for reasons only understood by him. I got rid of it right away. Turns out He also ruined We’re Only In It For The Money in a similar fashion. Fan’s outcry against this was so strong he eventually restored We’re Only In It For The Money, but not before referring to them as “fetishists”. He never got around to Ruben before his death, so I found an original vinyl rip of the lp. It’s a mystery why he thought those bass and drum tracks needed replacement. It’s kind of like Paul McCartney replacing John Lennon with Mark Knopfler.
If you buy the Zappa Family Trust’s Lumpy Money, you’ll be treated to the horrible remix of WOIIFTM as a “Bone us” disc.

"A last ditch effort by the Mothers to get their crummy music on the radio"

I encourage you to read the whole Zappa/Mothers story on Wikipedia:

http://en.wikipedia.org/wiki/Frank_Zappa

If you don’t have the time or inclination here is an interesting tidbit:

During his childhood Zappa was often sick, suffering from asthma, earaches and sinus problems. A doctor treated the latter by inserting a pellet of radium into each of Zappa’s nostrils; little was known at the time about the potential dangers of being subjected to even small amounts of therapeutic radiation. Nasal imagery and references appear both in his music and lyrics, as well as in the collage album covers created by his long-time visual collaborator, Cal Schenkel.

Long Out Of Print

Anyway I’ve compiled a fun disc worth of music by the original Mothers. There are some songs from Mothermania, a long out of print “best of” compiled by Frank in 1968, containing substantially different mixes from the original albums. Also are some cuts from Cruisin With Ruben And The Jets, which is kind of the spiritual center of my comp which I call Motherama. All these tracks come from rips of the original vinyl releases. The rest are from Freak Out, Absolutely Free, Uncle Meat, Burnt Weeny Sandwich, and Weasels Ripped My Flesh.

I also included a passage from Playground Psychotics (1992) which has Jeff Simmons quitting the group a few days before shooting 200 Motels. He was replaced by Ringo Starr’s chauffer at the last minute. This is followed by two tunes from Lucille Has Messed My Mind Up, an out of print 1970 album by Jeff Simmons produced by Frank under the pseudonym of Lamar Bruister. “Lucille” and “Wonderful Wino” are about the only songs in Frank’s catalog that credit a co-writer. Frank plays guitar and Ian Underwood is featured. Both tunes turn up later in Frank’s discography in less interesting versions.

For your immediate listening pleasure I’ve included a rare “live” version of “Plastic People”. I read that before real music was written for it they played it over “Louie, Louie”. This must be that.

I think this stuff has aged really well.  Frank’s social commentary was/is right on the money.

I am now a fan.

Plastic People

Link in Comments.

Number Two

Buzz Baby Jesus Posted in Blues, Extra Heavy, Folk Rock, Funk, Great Black Music, Psychedelic, Rockin', Singer Songwriter, Soul, Topical,Tags: , , , , , , , , ,
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The Playlist


As mentioned in the profile, and other previous posts, the original now that’s what I call bullshit, was thrown together really quickly, but had a great flow and energy. If you make a lot of mix cd’s, then you know some turn out better than others. A good one will stand up to repeated listenings. Some assemble easily and others don’t. Number one was effortless and encouraged me to make another. Number Two had a lot to live up to. It took all week to assemble, with a couple failed prototypes along the way. This time the effort paid off. The result was a lot more variety, and a couple real real sleepers.
Things start off fine with memorable tunes by The Mermen, BRMC, Love Story In Blood Red, but really begin to go places with Ed Harcourt’s “Hanging With The Wrong Crowd”, followed by the aptly titled, “Nightmare”. Duncan Browne is a reminder that being a singer song writer is not alway a bad thing. “Babe Rainbow” is beautifully rendered. Magic Sam’s “Funky G Street” is a hair raising instrumental, Junior Kimbrough is transcendent, and Mattafix provides a conscious multi-culti international take on classic soul with “Big City Life”.

Here’s something I found about Nancy Boy:

Led by the progenies of two ’60s rockers, hippy-dippy Donovan and blue-hatted Monkee Mike Nesmith, pomo new wavers Nancy Boy definitely rebelled against their musical pedigree, emphasizing fashion and style over traditional substance. Model Donovan Leitch and Jason Nesmith threw Bowie, Suede, Duran Duran, and Blur in a blender and served up their self-titled full-length debut in 1996, competing with the post-grunge, Creed-infested landscape of alternative music. With their skinny ties and eyeliner, they didn’t stand a chance.

Anyway this is one of the better mixes, so I thought I’d share it. now that’s what I call bullshit 2 was assembled during the first week of June, 2006. I listened to this the whole summer I spent down in South Jersey as a surf bum.
Link In Comments.

The Original artifact

Number Fifty One

Buzz Baby Jesus Posted in Extra Heavy, Extra Swingin, Folk Rock, Power Pop, Real Gone, Rockin', Topical,Tags: , , , , , , , , , , , , ,
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The Ancestral origin of my blog

Looney Tunes and Merrie Melodies is not shown, but you get the idea

Throughout the ’70′s and into the ’80′s (and apparently into the ’90′s in cd form) Warner/Reprise had what they called their “loss leader” program. The inner sleeves offered the opportunity to buy  two record samplers for two dollars apiece. The idea, of course was that you’d go out and buy the full albums at full price.

I had and still maintain a restless ear that needs a constant supply of new music. It’s rare I play any one thing to death.  As a kid I never had enough money to buy all the music I craved, nor any older siblings to “borrow” from.  As soon as my parents left the house I’d turn on their Magnavox and go to the right of the dial looking for the freeform FM radio stations lurking around 106. This was a full decade before KROQ. The DJ’s would spin a lot of discs without saying anything so I rarely knew what I was hearing, except  it was dangerous, and my parents would hate it, saying it was “Acid Rock” played by people on dangerous drugs (Turns out they were right about that).  As soon as I saw the garage door open off it went before the oppressors caught on what I was up to. Except for when I forgot to turn the radio back to their regular station. They were not amused when greeted by Frank Zappa and the Mothers lovely “Mudshark” from “Live at Fillmore East 1971″

I might have been at a friends house smoking catnip and looking at his big brother’s Black Sabbath album when I noticed the offer on the sleeve. Otherwise I have no idea what album I might have cut out the order form to send off with $3 for Looney Tunes and Merrie Melodies, a 3 record set filled with the likes of The Grateful Dead, Fleetwood Mac, The Beach Boys, Frank Zappa and the Mothers of Invention, The Faces, Randy Newman, Ry Cooder, Captain Beefheart, Jimi Hendrix, The Kinks, Little Feat, T-Rex, Alice Cooper, The Fugs, Black Sabbath, along with lesser known acts as like Pearls Before Swine, H.P.Lovecraft, Half Nelson, and Beaver and Krause.
Waiting six weeks for that sucker to arrive was an eternity. It came as a  Box set with Elmer Fudd on the front.  There were extensive liners with biographies and photos.

I just saw one for $90

Eventually I bought six or seven of them. The influence of these records on my development was huge.

Sadly I got rid of them during the great Punk purge of 1979, when suddenly everything sounded so tame, and irrelevant.
Pictured above is one I never owned, as it seemed “too old” in 1972 when I started buying them. I found this one in a thrift store and bought as a tribute to fond memories of all the others.

All through college and continuing today I’ve made compilations similar in concept to these records, although I didn’t put this together until fairly recently. That said, I have to admit my blog is an extension and a descendant of them.
The tradition lives at  Now That’s What I Call Bullshit.

Last week a friend sent me a DVD loaded with something like 600 MP3′s, so I made a playlist of a surveying less than 10% of the music. One song off each album made for 48 tracks and 2.8 hours of music. From the highlights I made a compilation cd for the car.
Entitled, Now That’s What I Call Bullshit 51, it is here for you to download if you like. The link can be found in the comments. Enjoy! And feel free to buy anything you can’t live without.

Of course after I wrote this last night I thought to Google “Warner/Reprise Loss Leaders” and found a buttload of articles about the series including this one:

http://www.dustbury.com/music/wbloss.html

Go there for the full story.

The Playlist

Neil Young Wonderin’ about Chrome Dreams

Buzz Baby Jesus Posted in Folk Rock, Rockin', Singer Songwriter, Topical, VIP Guest Appearance,Tags: , , , , , , , ,
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Did You Hear Something?

Did You Hear Something?

Neil and me go way back.  Harvest was the first non Beatles album I ever bought.   He has managed to stay an artist and avoid becoming a self parody and a hack, like Lou Reed.

Here are a handful of odd gems.  “Wonderin’”  is the only great song by Neil and The Shocking Pinks from Everybody’s Rockin’, although it dates from much earlier.  Chrome Dreams is the title of an unreleased Neil Young album.  It would have come after Zuma,  but instead he recorded and released American Stars And Bars in 1977.  Of course it can be found and downloaded without too much trouble.  “Homegrown” was remade for Ragged Glory.  “Too Far Gone” features Frank Sampedro on mandolin.
Inlay Back - Chrome Dreams
The rest of the tunes come from a bootleg called Hard To Find.
“Don’t Spook The Horse” was included on The Mansion On The Hill Ep, “Pushed It Over The End” is live and might be the version left off Decade, and “Last Trip To Tulsa” is also live and might be from 1974.  Or 1969.
War Song
“War Song” was a 1972 single by Neil and Graham Nash, and written in support of George McGovern’s bid to overthrow Nixon.
It has been out of print until recently. It is now available on Neil’s massive, and expensive new Archives set.

Wonderin’
War Song
Last Trip To Tulsa
Homegrown
Too Far Gone
Pushed It Over The End
Don’t Spook The Horse

Neil ripping on a "flying V"

Neil ripping on a "flying V"

Okkervil River-The Stand Ins

Buzz Baby Jesus Posted in Country Music, Folk Rock, Rockin', Singer Songwriter, Topical,Tags: , ,
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Indie Band Hits Home Run

Indie Band Hits Home Run

So far this blog has mostly dug up older music you might have missed. There is, as always, a lot of great new music out there. Okkervil River’s The Stand Ins is an album worth hearing from last year, and is a classic example of an indie record achieving greatness. Most of the time the difference between “indie” and “classic” boils down to production values. They sound indie because they sound cheap, and they were. When a band transcends their station and creates work that can stand up there with the big boys, it’s really an accomplishment worth applauding. Most of the time it’s that one album when the planets were aligned, everything came together, and the results surprised everybody. These are the records that never leave my playlist.
I think the Stand Ins will turn out to be one of those. Based on the fact that it survived whatever hype and still sounds good in 2009, I think it will still sound good in 2018.
Because I’m old, it reminds me most of Lola era Kinks, if I were younger, I’d mention the Smiths, and a lot younger, Arcade Fire, but I really don’t like referencing other artists as a comparison because so often it’s not helpful, or fair to the artists.
Using a broad pallette of instruments, Okkervil River have a bright, folk rocky, sound all their own. Will Sheff’s songwriting is first rate. A world class act that will be hard to follow.

Minus the yard gnome, on tour in Wisconsin

Minus the yard gnome, on tour in Wisconsin


wiki

Okkervil River is an indie rock band from Austin, Texas. Formed in 1998, the band takes its name from a short story by Russian author Tatyana Tolstaya. They self-released their first album, Stars Too Small to Use, which led them to the South by Southwest music festival. After recording their first album in a garage, they signed with Jagjaguwar. Okkervil River continued by releasing four more albums, including critically lauded concept album Black Sheep Boy.

After a period of touring for Black Sheep Boy, Okkervil River followed up with The Stage Names. The album sold 10,000 in its opening week in the United States. The group released a free covers album, Golden Opportunities Mixtape from their live performances.

The band has garnered positive critical reception. Especially noted are each song’s lyrics, intricate instrumentation, and thematic albums. In addition, they were recently featured on the talk show Late Night with Conan O’Brien and have performed with high profile bands such as The Decemberists, The New Pornographers, and Lou Reed.

Okkervil River released their most recent album The Stand Ins on September 9th, 2008. They are promoting the release with a series of cover songs from the album on YouTube by people they’ve met as a band.

Okkervil River’s founding members became friends in high school in Meriden, New Hampshire, and after parting ways for college moved to Austin, Texas to live together and start a band. The band consisted of singer-songwriter Will Sheff, Zach Thomas on bass and mandolin, and Seth Warren on drums. Their first gig was at Steamboat in Austin on January 11, 1999.

On April 17, 2006, Okkervil River signed with Virgin/EMI in Europe. The label re-released Black Sheep Boy and its follow-up Black Sheep Boy Appendix as a double disc on April 28, 2006. Jagjaguwar eventually followed suit, releasing the Definitive Edition with extra songs and videos.

The Stage Names, their fourth full-length studio album (produced again by Beattie), was released on August 7, 2007. The disc features the solidified line-up that toured extensively on Black Sheep Boy and the Black Sheep Boy Appendix, with Cassidy replacing Draper who joined Shearwater. The album was met with critical acclaim and debuted at number 62 on the Billboard 200 with 10,000 copies sold.

Okkervil River released their fifth album The Stand Ins on September 9th 2008. The album was conceived as a sequel to The Stage Names. The album charted at #42 with 11,000 copies sold, according to the Billboard 200.[8] On December 12, 2007, the band freely released a nine-song mixtape entitled Golden Opportunities Mixtape via their website.[9] These recordings, along with the upcoming appendix, are the first to feature contributions from new touring keyboardist, Justin Sherburn, who joined the band in November 2007.

At a show in Wellington, New Zealand on 5 March 2008 it was announced that guitarist Brian Cassidy would be stepping down from the band as a full-time touring member. Shortly after this on 12 March 2008, it was subsequently announced that Cassidy’s temporary replacement would be Charles Bissell of The Wrens for their spring and summer tours. [10] In the autumn of 2008 Lauren Gurgiolo, singer and songwriter of the Austin, Texas band The Dialtones, joined as a permanent member, playing electric guitar, mandolin and banjo.

On April 21, 2009, the “Pop Lie” single was released backed with the B-Sides “Millionaire” and “Pop Lie (One Man Band Version)”

Singer Songwriter
Blue Tulip
Pop Lie
Calling And Not Calling My Ex

Ruby Don’t Take Your Love To Town/Monster ’69

Buzz Baby Jesus Posted in Country Music, Extra Heavy, Folk Rock, Rockin', Singer Songwriter, Topical,Tags: , , , , ,
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I’ve always loved this song. “Ruby” breaks my heart every time. It’s amazing how topical popular music could be. What top ten hit today deals with shattered soldiers returning from an unpopular war in such a frankly disturbing manner?

This downer song was a hit, and still relevant.

This downer song was a hit, and still relevant.

The First Edition (later known as Kenny Rogers and the First Edition) was a country music/rock band stalwart members being Kenny Rogers (vocals & bass guitar), Mickey Jones (drums & percussion) and Terry Williams (guitar & vocals). The band formed in 1967, with noted folk musician Mike Settle (guitar and vocals) and the operatically trained Thelma Camacho completing the lineup.

The First Edition signed with Reprise Records in the summer of 1967 and first hit big in early 1968 with the pop-psychedelic single “Just Dropped In (To See What Condition My Condition Was In)” (US #5). After several hits and misses the group (now billed as “Kenny Rogers and the First Edition”) once again hit the top ten in the summer of 1969 with the topical Ruby, Don’t Take Your Love To Town (US #6, UK#2).

For the next six years, the First Edition bounced between country, pop and mild psychedelia, enjoying worldwide success.

These guys were scary.

These guys were scary.

Steppenwolf’s “Monster_Suicide_America” is 40 years old, but sounds like it was written today.
Except the reality expressed in the song is worse now, making it more like prophecy come true.
Music was an important part of the culture. What has been lost saddens me. Fortunately, the industry as we know it, is dying
a not-so-slow death, so maybe something good will come of the demise.
Meanwhile enjoy the topical tunes. This stuff used to get played on the radio.

Monster is an album by the band Steppenwolf, released in 1969 (see 1969 in music) and was their first LP with new lead guitarist, Larry Byrom instead of Michael Monarch. The album was Steppenwolf’s most political one, making references to important issues at the time, such as the Vietnam War.

The title refers to the contemporary politics and state of the U.S., as in the lyrics to the title song:

“The cities have turned into jungles,
and corruption is stranglin’ the land.
The police force is watching the people,
and the people just can’t understand.
We don’t know how to mind our own business,
’cause the whole world’s got to be just like us.
Now we are fighting a war over there.
No matter who’s the winner, we can’t pay the cost.
‘Cause there’s a monster on the loose,
it’s got our heads into the noose.
And it just sits there… watching.”

The album was the first Steppenwolf album not to feature a US top ten hit, and can thus be seen as the beginning of their slow fall from fame. Even though this album, “Live”, “Steppenwolf 7″ and “For Ladies Only” are today seen as making up the latter half of their ultimate prime, their days of “Born to Be Wild”-like fame were over. Still two singles from the album cracked the top 40, and Steppenwolf would continue landing albums in the US top 20 for a while yet, a factor that became more and more important during this time.

As seen above, the title track is a call for pacifism and a more ethical society. The tone, which can be seen as very provocative towards the political decisions of the US at the time, continues with “Draft Resister”, which glorifies draft resisters as heroes.

Ruby Don’t Take Your Love To Town
Kenny Rogers And The First Edition
Monster-America-Suicide
Steppenwolf